The Digilog Book is a next-generational e-book that allows readers to view content in 3D, in addition to being able to touch and smell the objects. Unlike virtual reality (VR) technology, in which both content and background aren’t real, augmented reality (AR) experience used in the Digilog Book is created from the overlay of virtual digital content on physical reality.

Durou dois anos e o ‘ Livro em Rede’ http://networkedbook.org/ está aí, aberto a comentários, revisões e traduções. O público pode tambem submeter um capítulo, que, depois de consideração, pode ser adicionado ao livro. “Networked” , o ‘livro em rede’, parte do princípio de que a história e a crítica de arte interativa tem que ser, ela mesma, interativa e participatória.
Em 2008, Turbulence.org e parceiros — NewMediaFix, Telic Arts Exchange, e Freewaves – convidaram contribuições de todo o planeta para os capítulos desse livro. Foram convidadas contribuições que repensavam como a arte em rede pode ser categorisada, analisada e legitimisada e quais seriam as suas normas de autoridade, autenticidade e legitimação.

English
In 2007, Jo-Anne Green and Helen Thorington (Co-Directors, New Radio and Performing Arts, Inc. | Turbulence.org) proposed Networked to Eduardo Navas (NewMediaFIX). Along with Sean Dockray (Telic Arts Exchange) and Anne Bray (Freewaves), they developed an application to the National Endowment for the Arts, which funded the project in 2008.

An international Call for Proposals was issued. It defined the project’s Goals and Objectives and invited contributions that critically and creatively rethink how networked art is categorized, analyzed, legitimized — and by whom — as norms of authority, trust, authenticity and legitimacy evolve. A committee of nine reviewed the submissions: four authors were commissioned to develop chapters that are now open for commentary, revision, and translation. A fifth — one of the runners-up — was invited to contribute. Networked is open to additional chapters. See Guidelines.

Networked proposes that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a “text” might take.

We invite you to participate. You can comment on an entire chapter, but the CommentPress plugin also allows you to comment on individual paragraphs. You are also welcome to translate the chapters into other languages.

O comite internacional / The international commitee:

Steve Dietz (Northern Lights, MN)
Martha Gabriel (net artist, Brazil)
Geert Lovink (Institute for Network Cultures, The Netherlands)
Nick Montfort (Massachusetts Institute for Technology, MA)
Anne Bray (LA Freewaves, LA)
Sean Dockray (Telic Arts Exchange, LA)
Jo-Anne Green (NRPA, MA)
Eduardo Navas (newmediaFIX)
Helen Thorington (NRPA, NY)

Os artigos são em inglês ( mas voce pode traduzi-los):
THE IMMEDIATED NOW: NETWORK CULTURE AND THE POETICS OF REALITY
Kazys Varnelis
http://varnelis.networkedbook.org

LIFETRACING: THE TRACES OF A NETWORKED LIFE
Anne Helmond
http://helmond.networkedbook.org

STORAGE IN COLLABORATIVE NETWORKED ART
Jason Freeman
http://freeman.networkedbook.org

DATA UNDERMINING: THE WORK OF NETWORKED ART IN AN AGE OF IMPERCEPTIBILITY
Anna Munster
http://munster.networkedbook.org

ART IN THE AGE OF DATAFLOW: NARRATIVE, AUTHORSHIP, AND INDETERMINACY
Patrick Lichty
http://lichty.networkedbook.org

English
http://networkedbook.org/